Culturally,
we like putting people in boxes. Clearly designated. Intersectionality is a
hard concept to wrap minds around, and furthermore the reality of the in
between or the unlabeled can be overwhelming. This is most clearly represented
in the everyday experience with the ingrained tendency to classify gender
within the binary upon first impression. Woman or man, woman or man, the mind
boggles if the gender identity or presentation of the person in front of them
is unclear. This is reinforced in every form of media created - there is a constant conditioning through our media spheres that gender is a binary. There is a lack of stories and representation of gender non conforming people and the constant assumption is that the world is solely man and woman.
"HELLO my name is" sticker label |
Because
of how deeply ingrained the gender binary is, people who live outside of the
gender binary themselves often have frustrating relationships and experiences
with their bodies, identities, and presentation as they struggle to unlearn
years and year of social conditioning. In addition, the process of formally
labeling one’s self as outside the gender binary (non-binary, genderfluid,
genderqueer, etc) can either be entirely euphoric or entirely uncomfortable.
There are people who prefer to remain unlabeled and exist outside of any
constricting labels. As well, there are many people who may identify as a woman
or man but be gender-non-conforming, meaning that they do not exist as strictly
feminine or masculine, respectively (1).
In my
proposal, I sought to create a zine entirely on gender dysphoria and clothing.
This topic proved to be too broad and also too painful for me to dig inside of
myself to create a personal project. I instead turned to focus on the
experience of labeling oneself – or not labeling oneself – and this need for
the world to label each other within the binary. As someone who has struggled
and continues to struggle with gender identity and presentation, this was a scary
undertaking and something I had not yet tried to vocalize before this project.
Audre Lorde wrote of transforming silence into language, which is what I would
be doing with creating poetry and art to share my own experience. Lorde wrote
"I am afraid, because the transformation of silence into language and
action is an action of self-revelation, and that always seems fraught with
danger" (2). Lorde goes on to say that we remain silent because we fear
the visibility without which we cannot live authentically as ourselves. This
truly can comment on the experience of living outside of the binary in a gender
non conforming way. The way we express out gender and identity is visible, yet
there are no visible markers for gender. Bodies are not gendered and yet the
binary forces them to be. I wanted to create a zine for people who live
outside of the gender conforming roles to contribute to and express themselves
to display to the world how it feels to exist within a non-binarized existence. By creating this zine, I would be affecting our modern media spheres by working toward including representation of how truly varied gender identities and presentations can be.
I
created the first zine in the series, where I wrote a poem about my own
experience with struggling to be labeled and gender dysphoria when I am labeled
by others, and then illustrated the poem. Gender dysphoria is when someone
feels uncomfortable or doesn’t connect with their body mentally (3), yet this
in and of itself can be experienced and realized in so many ways. I did not
feel like I could create one single zine that fully encapsulates everyone’s
experience with their own queer identities which is why the idea is for the
zine series to grow in the future and why my sole zine that I am presenting
today is of my own experience. A single story is a dangerous thing. Single
stories are what lead to stereotypes and assumptions (4) and there are so many
varied experiences with gender and presentation from people across the queer
community – origin stories, every day experiences, etc. And while these
experiences are so varied, similarities can also be found! It is beneficial for
people of every gender and experience to broaden their mind as we create a
world that can exist without a binary.
While
doing research about zines and the creation of the medium, I delved into the
Queer Zine
Archive Project (5). This archive truly inspired me, especially the
handwritten and hand drawn zines from the 1990s. These zines were loud, bold,
crude, messy, and real. As we continue to hurtle into the modern digital age,
this form of expression and communication should be revived and continue and it
is hopeful to see from this archive that these pieces of queer art are both
being preserved and continued to be produced. My zine series “Label Me!,” of
which my zine today is the first of, is a homage to the zines of the 1990s –
loud, messy, and real.
Queer Zine Archive Project Homepage Screenshot |
Screenshot of "Gender Fuck Me" by Jess T. Dugan in Queer Zine Archive Project |
Below is the link to the PDF of the zine. I will also pass around a physical copy.
Queer Zine Archive Project
1. GenderSpectrum.org “Understanding
Gender” https://www.genderspectrum.org/quick-links/understanding-gender
2. Lorde, Audre
"Sister Outsiders: Transformation of Silence"
3. Man, Chella
& MaryV Benoit “Being in a Relationship with Someone Who’s
Transitioning” https://www.youtube.com/watch?v=RVMC84T4mgc
4. Adichie,
Chimamanda Ngozi “The danger of a single story” https://www.ted.com/talks/chimamanda_adichie_the_danger_of_a_single_story?language=e
5. The Queer
Zine Archive Project archive.qzap.org
6. Bahrampour,
Tara (May 21, 2003) "Tempering Rage by Drawing Comics; A Memoir
Sketches an Iranisn Childhood of Repression and Rebellion"
Additional
sources used in research:
7.
Bornstein, Kate & S. Bear
Bergman. “Gender Outlaws: The Next Generation”
8.
Butler, Judith “Gender
Trouble”
9.
Buzzfeed “We Asked People To
Illustrate Their Gender Dysphoria” https://www.buzzfeed.com/skarlan/we-asked-people-to-illustrate-what-their-gender-dysphoria-fe
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