Alison
Bechdel is a female cartoonist (commonly known for her creation of the Bechdel
Test), who, in 2006 published the graphic memoir Fun Home. Through both
cartoons and words, Bechdel retells her story of growing up with a closeted gay
father, and her own sexual identification journey. She explores the confusion
and dislike she felt growing up being forced to behave femme and her scary but
exciting decision to come out as gay. She reveals her experiences being raised
by a distant mother and father, who treated his house with more
tenderness, then,
his own children.
Image from Bechdel's Memoir |
According to a Hyperallergic article, Bechdel states, “The secret subversive goalof my work is to show that women, not just lesbians, are regular human beings.”
In the twenty first century, it’s still rare to see a woman’s story just being
told as a human’s story, no strings attached. She’s most often either an item
of male’s attention, or a character we are meant to hate. Rarely just a human,
with human struggles and a human journey. As written in The Beauty Myth
“When women in culture show character, they are not desirable, as opposed to
the desirable, artless ingenue” (Wolf 59.) Fun Home tells women to fuck
“desirable.” We are women, and we are meant to be heard. We have real
struggles, but also real joys and happiness. We are not just pretty objects,
but humans who sometimes don’t know who they are and what they want to be. Fun
Home is a HUMAN story about a woman, growing up in a dysfunctional family
and trying to figure shit out. Nothing about her story is “desirable,” but
everything about it is honest and relatable.
Sean Wilsey, in a 2006 New Yorks Times review, writes how Bechdel’sgraphic memoir is a lush piece of work, with well-crafted images and equallyrevealing words. The book is so absorbing that you feel like you are actually
living in the author’s world. A book with so much heart and truth, that you
live the journey. Fun Home wassuch a success, that in 2015 it was turned into a hit Broadway musical, and won5 Tony Awards, including best musical. The book has also been translated into 25
different languages. People love this story, because it’s so raw and true. Not
only does it gives a voice to women, but it gives a voice to lesbians, a group
that is often under-represented and ignored in the media. In Commodity
Lesbianism, Danae Clark writes that Lesbians aren’t targeted consumers. As
a social group they are not economically powerful, not easily identifiable, and
not attractive to advertisers (143.) Media often ignores lesbians, because it’s
“hard” to make money off of them. Their human stories are rarely told. Bechdel
gives them a voice, allows them to be heard, and give all humans a story to
relate to.
Original Broadway Cast of Fun Home |
Bechdel is a very seasoned
cartoonist, and creator of the 2012 graphic memoir Are You My Mother?
and many comic strips like Dykes to Watch
Out For. Bechdel takes her cartooning very seriously, and spends much time
perfecting her work for her readers. Her process is planned, written and laid
out on a computer before being transferred into a physical drawing. She paints
with a separate ink wash layer so she can have shading, adding depth and
complexity into her images. She takes her art very seriously, and puts her
heart and soul into every image and every word (Dube.) Fun Home is a
feminist (human) story, that gives a voice to under-represented groups, and
explores how messy and undesirable life (and women) can be. And how great that
is. P.S.
Fun Home definitely passes the Bechdel Test.
Bibliography:
· Clark, Danae. "Commodity
Lesbianism." Out in Culture (2012): 484-500. Print.
·
Dube,
Ilene. "Alison Bechdel's Mission to Make Lesbian Culture Visible Through
Comics." Hyperallergic. Hyperallergic, 24 Sept. 2018. Web. 19
Nov. 2018.
·
WILSEY, SEAN. "'Fun Home: A Family Tragicomic,' by Alison
Bechdel - The New York Times Book Review." The New York Times.
The New York Times, 18 June 2006. Web. 19 Nov. 2018.
· Wolf, Naomi. The
Beauty Myth: How Images of Beauty Are Used against Women. London: Vintage
Classic, 2015. Print.
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